CMO Sync's newest successful branch in the content and media realm includes offering clients quality customized videos, with great sound, in HD (High Definition) starting at $600 (US)! The book trailers have started to be released and future film work is on the way.
Recently the team of industry filmmakers at Rune Works Productions have begun to work with CMO Sync to write, direct, edit, and produce videos of the highest quality for very little cost, and they started with the R.J. Huneke book trailer for Cyberwar, featured below. Director Brian Stone won best drama at the Garden State Film Festival, and he is one half of the team that worked on the Cyberwar Trailer #1 along with Director Gabe Siegal who did an amazing job composing the music for this piece.
Any length, any idea, and any amount of CGI effects can be utilized by the talented Rune Works team to build a piece of film worthy of the screen (any screen, from iPhones to flat flatscreens), though the budget can be a limiting factor. Where many studios come up short is affordability, but not here where a modest budget can still be maximized to produce a quality flick for the business or entertainment industries.
If you would like to inquire as to any of these great services, please contact email@example.com
For more information on the Cyberwar thriller novel please read the following excerpt available on the publisher's site here:
It all went to hell when the world’s greatest cyber warriors chose to wage war for themselves and not on behalf of the politicians that hired them. Hackers, they used to be called. Somehow the term for “one who hacks a computer” was deemed offensive during the Occupancy War and subsequently placed on the Banned Vocabulary List.
Many decades earlier, at the end of the twentieth century, cyber warriors were defined simply:
1. Cyber-warrior is a person who engages in cyberwarfare for personal reasons or out of political or religious belief.
2. A spy that can infiltrate the highest levels of security
3. Cyber-warriors wage war using information technology and may attack computers or information systems through hacking or defending them from their counterparts.
There was an overlong shadow just outside of the Devil’s Shed. The facility’s alias was local folklore; the graying storage container’s door had what looked like two demonic horns of rust near the top. No one in town knew its real purpose.
William Waltz squatted just below the enormous demonization and waited patiently. His face was covered in grease to eliminate any glare that the rain might make on his skin; this was nothing unfamiliar to him, as his father had a career as a bike mechanic and in his short life had shown ‘skinny William’ the value of getting dirty when it served a purpose. Thirty years of grit had made him a world-class locksmith.
The code magnet had to pull enough of a reusable ocular scan from memory to fool the door’s access scanner. The lock’s subterfuge, a functioning power switch box, hung open from hinges. The box’s red handle remained in the “Off” position as a decoy.
Waltz held the B9 scatter pistol as though it was glued to his right hand, and he stood utterly still. In the sweeping rain, the only streetlamp was a good fifty yards away, and though the glint of its light could be seen in the drops that clung to the silenced black barrel, he was effectively invisible if he did not move.
Twenty minutes had already passed this way. The customized code magnet would infiltrate the scanner’s memory sometime within twenty-five. Come on already. I really have to take a leak, he thought wryly. Sitting still was not one of his favorite tasks.
International publisher Pentian is publishing the US thriller by R.J. Huneke Cyberwar.
More details, an official launch, and a book trailer are all in the works and coming very, very soon.
For now, here is a still from the book trailer's shoot.
Part I of an Exclusive Two-part Interview with PENTIAN CEO & Founder Enrique Parrilla
By R.J. Huneke
On May 31, 2014 PENTIAN launched its revolutionary publishing and crowdfunding model in the US at the Book Expo of America.
Things will never be the same.
I was fortunate to sit down with Founder and CEO Enrique Parrilla, just hours after the exciting debut going on in the Jacob Javit’s Center in New York City, and his vision of the future of the publishing world is keen and bright for both readers and artists taking part in Pentian’s “everyone wins” platform.
Mr. Parrilla was very pleased when he stepped away from the buzz of the Pentian booth at the Book Expo to talk to me. Dressed in a sharp suit jacket and button-down shirt that was happily tie-less, his passion for books immediately became contagious.
He started off saying, “[we’re] launching as we speak, and people are going [crazy] over it.”
Pentian is invoking their crowdfunding platform, as a publisher, and their business plan calls on potential readers and investors to crowdfund their Pentian favorites so that the cost to create, print and distribute the book on the market is covered by the determinate readers who wish to bring their authors’ works to life.
Pentian believes that invoking a community around funding a book helps to add to the media exposure and burgeon its success.
Mr. Parrilla spoke very candidly that Pentian “seek[s] to reward . . . the backers with financial compensation for 3 years . . . with profits from [the funded] book. What this essentially does is create an army of sales people for that book working for you.”
Authors everywhere rejoice!
Rarely has a business model helped to provide them with such free marketing prowess or incentive.
He went on to say that with the “small army of people who are financially invested [in the projects] . . . we have a very fair mechanism to reward those people who have taken a risk.”
Who as an avid reader would not warrant risking a few hundred dollars on an author and/or idea they are passionate about – and feel would take the world by storm, whether hitting the best-seller list or becoming a successful Hollywood film – especially when they would be compensated a set percentage of sales for three years for their investment?
Readers and stockbrokers beware: there is a new investment portfolio in town!
“Being a publishing company ourselves,” says Pentian founder Enrique Parrilla, “we own the production process.”
The process is quite simple:
Authors submit their work to Pentian, and they judge the project strictly based on the quality of the work
Pentian and the author come up with a plan of how many and what types of mediums the book will be produced in order to get it on the market and place the project on Pentian.com’s crowdfunding site
Pricing levels are suggested: reward levels $10 gets you e-book, for instance, or $25 gets you a hardcover copy and more money might get you a signed hardcover.
Readers and investors contribute to financially cover the costs of the project’s production and receive a part of the profits from the sales of the book
The author’s work is published at the very best of quality in both paper and e-format.
For Enrique Parrilla, the way that technology has opened up the world continues to amaze, and the connections between writers and readers can be made instantaneously, as working Pentian’s “crowdfunding platform . . . enables ‘disruptive’ financial connection between authors and readers.”
“In thirty days we can have a book sold worldwide,” says Mr. Parrilla, as he smiled proudly.
The reason Pentian promotes a “disruptive” connection is because they eliminate the old barriers – disrupt them completely – in favor of a more direct model.
Published books used to be only held by the traditional publishing industry model and, in more recent years, by self-published authors (the majority of whom do not provide readers with quality product, whether in the physical paper printed or in the actual written material on the page).
This is not the case now that Pentian has created a publishing uprising and Renaissance of written works, of all genres, in Spain.
Since launching its beta test model six months ago, Pentian has captured over 6% of the self-publishing market and that number is growing exponentially as the company launches in the United States.
Mr. Parrilla believes Pentian has “great potential because it’s all over the world . . . you can push a button and your product is everywhere.”
And now the US is eager to see Pentian’s newest headquarters location in Los Angeles, California thrive.
“The reason we set up shop in L.A.,” said Mr. Parrilla, “is because we are seeking relationships with the media producers, the people that are in charge of acquiring content and licensing rights and stories are having a hard time finding original stories . . . and we have a situation where the market can determine what is hot.”
How did Pentian first come about?
Enrique says that they “saw a need that wasn’t being met.”
He spoke of a scenario he witnessed being played out on a major crowdfunding site: “One day . . . somebody looking for four or five thousand dollars [on a Kickstarter or Indiegogo-like campaign] got $20,000 . . . and did not publish the book” and they fulfilled their contractual obligation, took the profits, but the readership did not get the product they wanted.
Pentian strictly adheres to planning the production of a book and crowdfunding for that cost alone.
The cost is associated with getting a book on the market, not on the traditional crowdfunding for books, like the Kickstarter model, of continued funding through a certain period.
Once a book is backed, the crowd-funding campaign ends and the book creation begins. This as Enrique Parrilla says, “instills a sense of urgency” to back a project while there is still the opportunity to invest in it.
And Pentian already has a host of worldwide distribution partners, including Ingram, Amazon, Kobo, Barnes & Noble, Google, Apple, El Corte Ingles and more.
This is turning the publishing industry on its head – as Pentian’s P/R release depicts – by allowing the readers to choose what a best seller will be, not the big publisher’s President and their marketing budget.
“Everyone Wins” as they say in their press release (except maybe the “Big 5”).
In terms of the “Big Five” traditional publishing houses determining most of what readers in the world get to see published, that time is quickly passing. Their business model is being shaken dramatically at its foundations.
Everyone looks to benefit from a more hands-on approach to publishing, as Pentian is happy to point out.
How exactly does Pentian decide what is “quality” and will be put up for funding?
In order to maintain a relationship with reputable distributers, Pentian adheres to a strict quality control – if a book is illegible or not up to snuff in terms of its overall shape and idea, Pentian politely declines the submission; if it is raw or “not 100%” on the surface, but the project’s idea and content is great, they will offer a team of experienced editors to polish or format the project, but not to alter any of the key creative plot or character elements, only to streamline the grammar and finished product.
The writer does not have to worry about compromising their creative work based on the publisher.
Mr. Parrilla was emphatic that at Pentian they “do not get into the content, in terms of editing . . . [he has] friends that have been going back and forth with a traditional editor [and publisher] for a year and a half to publish a book with an adulterer as the protagonist,” but because the US market does not like adulterers they required the ending changed to reflect poorly on the adulterer.
Pentian does NOT get involved in the writer’s content.
Pentian is looking to do what many of us have as a fundamental basis of our reading and writing souls desired: art is made and published as it is meant to be depicted by the artist, and the readers who are interested will actually see it as such.
In terms of creating art and writing, Pentian only offers an editing team as part of the production process if the work needs help polishing its grammatical and clerical work.
Successful authors are currently flocking to Pentian, because of their favoring the artists that create the work, not the publisher.
“The 'Big Five' houses . . . are going to start losing quality content from authors,” said Enrique.
He immediately cited an example of an author that has a following of 70,000+ social media followers, and has published two books with one of the traditional publishers, and when he went to have his third book published, they said simply that they had no interest in doing it.
He could come back to them with his next project. The author went looking to take advantage of the fan base he built himself and fund the book that the publisher callously discarded without even testing the market for interested readers, and Pentian was where he ended up. [We’ll hit on this author, by name and in detail, in part II of this interview, folks.]
Read the rest of this article on Examiner.com here
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